Nemesis - Original Mix
30s preview
- BPM
- 125
- Open Key
- 3d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 7:44
- Released
- 2016
- Album
- Inside
- Genre
- House
- Loudness
- -9.6 dB
- Dynamics
- 8.5 dB
- ISRC
- QM4991600002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 125 BPM in D major (10B), Nemesis - Original Mix is a club-tempo house production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Darker than 99% of Victor Calderone's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- more underground than 99% of Victor Calderone's catalogue
- Tempo:
- slower than 90% of Victor Calderone's catalogue
- Energy:
- hotter than 78% of Victor Calderone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Nemesis - Original Mix in?
Nemesis - Original Mix by Victor Calderone is in D major, or 10B on the Camelot wheel.
What BPM is Nemesis - Original Mix?
Nemesis - Original Mix runs at 125 BPM, a club-tempo track.
What mixes well with Nemesis - Original Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Nemesis - Original Mix good for peak time?
With energy 94 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 125 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Victor Calderone
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.