In Chicago - Extended Mix
30s preview
- BPM
- 126
- Open Key
- 3d
- Energy
- 86/100
- Pop
- 28/100
- Length
- 5:39
- Released
- 2022
- Album
- In Chicago
- Genre
- House
- Label
- Off The Grid Records
- Loudness
- -7.2 dB
- Dynamics
- 8.1 dB
- ISRC
- GBCPZ2220901
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- In Chicagooriginal10B · 126
- In Chicago - Danny Avila Remixremix10B · 131
Against the original (10B at 126 BPM), this version holds the same tempo in the same key.
In Chicago - Extended Mix: club-tempo house, D major (10B), 126 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 90% of John Summit's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 90% of John Summit's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is In Chicago - Extended Mix in?
In Chicago - Extended Mix by John Summit is in D major, or 10B on the Camelot wheel.
What BPM is In Chicago - Extended Mix?
In Chicago - Extended Mix runs at 126 BPM, a club-tempo track.
What mixes well with In Chicago - Extended Mix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is In Chicago - Extended Mix good for peak time?
With energy 86 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 126 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 86/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
