This Then That - Coyu Remix
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 85/100
- Pop
- 0/100
- Length
- 6:46
- Released
- 2015
- Album
- Self Portrait (Remixes)
- Genre
- Techno
- Loudness
- -10.0 dB
- Dynamics
- 9.5 dB
- ISRC
- GBUR61500107
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- This Then Thatoriginal12B · 126
Against the original (12B at 126 BPM), this version holds the same tempo and moves the key from 12B to 3B.
A club-tempo techno cut, This Then That - Coyu Remix sits in D♭ major (3B) at 126 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2015 production that still circulates in sets. More underground than 99% of Joseph Capriati's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is This Then That - Coyu Remix in?
This Then That - Coyu Remix by Joseph Capriati is in D♭ major, or 3B on the Camelot wheel.
What BPM is This Then That - Coyu Remix?
This Then That - Coyu Remix runs at 126 BPM, a club-tempo track.
What mixes well with This Then That - Coyu Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is This Then That - Coyu Remix good for peak time?
With energy 85 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Joseph Capriati
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
