Revolt - Original Mix
30s preview
- BPM
- 128
- Open Key
- 4m
- Energy
- 76/100
- Pop
- 1/100
- Length
- 6:02
- Released
- 2013
- Album
- Ambiguous Relation EP
- Genre
- Techno
- Label
- Quant
- Loudness
- -9.4 dB
- Dynamics
- 9.2 dB
- ISRC
- UK5JK1300002
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Revolt - I/Y Remixremix10B · 128
A peak-time tempo techno cut, Revolt - Original Mix sits in F♯ minor (11A) at 128 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Slower than 88% of Héctor Oaks's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 84% of Héctor Oaks's catalogue
- Brightness:
- darker than 81% of Héctor Oaks's catalogue
- Low end:
- more bass-heavy than 76% of Héctor Oaks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Revolt - Original Mix in?
Revolt - Original Mix by Héctor Oaks is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Revolt - Original Mix?
Revolt - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with Revolt - Original Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Revolt - Original Mix good for peak time?
With energy 76 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 76/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
