Bad Morning - Angy Kore Remix
30s preview
- Key
- 1B · B major
- BPM
- 128
- Open Key
- 6d
- Energy
- 75/100
- Pop
- 9/100
- Length
- 5:42
- Released
- 2018
- Album
- Bad Morning
- Genre
- Techno
- Label
- Sola_mente Records
- Loudness
- -7.2 dB
- Dynamics
- 8.0 dB
- ISRC
- DEUD41813105
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bad Morningoriginal12A · 123
Against the original (12A at 123 BPM), this version runs 5 BPM faster and moves the key from 12A to 1B.
A peak-time tempo techno cut, Bad Morning - Angy Kore Remix sits in B major (1B) at 128 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Darker than 76% of Deborah de Luca's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Bad Morning - Angy Kore Remix in?
Bad Morning - Angy Kore Remix by Deborah de Luca is in B major, or 1B on the Camelot wheel.
What BPM is Bad Morning - Angy Kore Remix?
Bad Morning - Angy Kore Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Bad Morning - Angy Kore Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Bad Morning - Angy Kore Remix good for peak time?
With energy 75 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 128 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 75/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
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More from Deborah de Luca
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
