Souls Apart
30s preview
- Key
- 9B · G major
- BPM
- 176
- Half-time
- 88
- Open Key
- 2d
- Energy
- 87/100
- Pop
- 0/100
- Length
- 5:12
- Released
- 2013
- Genre
- Drum N Bass
- Loudness
- -6.1 dB
- Dynamics
- 18.2 dB
- ISRC
- GBCJY1300179
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Souls Apart: drum n bass, G major (9B), 176 BPM. Tonally it lands dark and driving. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 18 dB). A 2013 production that still circulates in sets. More underground than 99% of Etherwood's catalogue. In a set it works best as an opener or closing-set piece.
- Groove:
- less groove-driven than 97% of Etherwood's catalogue
- Tempo:
- faster than 94% of Etherwood's catalogue
- Brightness:
- darker than 89% of Etherwood's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Souls Apart in?
Souls Apart by Etherwood is in G major, or 9B on the Camelot wheel.
What BPM is Souls Apart?
Souls Apart runs at 176 BPM.
What mixes well with Souls Apart?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Souls Apart good for peak time?
With energy 87 out of 100 at 176 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 176 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 165-187 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 176 — beatmatch without a big tempo pull.
More drum n bass
More from Etherwood
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 176 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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