Stelldichein des Westerwälder Vogelchores
30s preview
- BPM
- 110
- Open Key
- 8d
- Energy
- 43/100
- Pop
- 4/100
- Length
- 9:32
- Released
- 2007
- Genre
- Minimal
- Loudness
- -12.3 dB
- Dynamics
- 25.7 dB
- ISRC
- DEBW20700049
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stelldichein des Westerwälder Vogelchores: mid-tempo minimal, D♭ major (3B), 110 BPM. The mix is almost entirely instrumental. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 26 dB). A 2007 production that still circulates in sets. More treble-tilted than 94% of Dominik Eulberg's catalogue. In a set it works best as a warm-up or breakdown cut.
- Tempo:
- slower than 78% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 26%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Stelldichein des Westerwälder Vogelchores in?
Stelldichein des Westerwälder Vogelchores by Dominik Eulberg is in D♭ major, or 3B on the Camelot wheel.
What BPM is Stelldichein des Westerwälder Vogelchores?
Stelldichein des Westerwälder Vogelchores runs at 110 BPM, a mid-tempo track.
What mixes well with Stelldichein des Westerwälder Vogelchores?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Stelldichein des Westerwälder Vogelchores good for peak time?
With energy 43 out of 100 at 110 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 110 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More minimal
More from Dominik Eulberg
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
