Echoes From Epsilon
30s preview
- BPM
- 108
- Open Key
- 3d
- Energy
- 43/100
- Pop
- 0/100
- Length
- 5:24
- Released
- 2020
- Album
- Keid
- Genre
- Minimal
- Loudness
- -17.6 dB
- Dynamics
- 9.6 dB
- ISRC
- DESR42000388
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Echoes From Epsilonoriginal10B · 108
Echoes From Epsilon runs 108 BPM in D major (10B), a mid-tempo minimal record. The feel is dark and steady. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Slower than 99% of Pan-Pot's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Pan-Pot's catalogue
- Brightness:
- darker than 95% of Pan-Pot's catalogue
- Groove:
- less groove-driven than 94% of Pan-Pot's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 52%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 0%
- High
- 2.5-11 kHz
FAQ
What key is Echoes From Epsilon in?
Echoes From Epsilon by Pan-Pot is in D major, or 10B on the Camelot wheel.
What BPM is Echoes From Epsilon?
Echoes From Epsilon runs at 108 BPM, a mid-tempo track.
What mixes well with Echoes From Epsilon?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Echoes From Epsilon good for peak time?
With energy 43 out of 100 at 108 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 108 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 102-114 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 108 — beatmatch without a big tempo pull.
More minimal
More from Pan-Pot
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 108 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
