Elfenbein-Flechtenbärchen - Audiokommentar
30s preview
- BPM
- 106
- Open Key
- 5m
- Energy
- 39/100
- Pop
- 0/100
- Length
- 1:19
- Released
- 2019
- Album
- Mannigfaltig (Audiokommentar)
- Genre
- Minimal
- Loudness
- -20.3 dB
- Dynamics
- 18.2 dB
- ISRC
- DEG931912060
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Elfenbein-Flechtenbärchen - Audio Commentaryoriginal10B · 81
Elfenbein-Flechtenbärchen - Audiokommentar: mid-tempo minimal, D♭ minor (12A), 106 BPM. The groove is strong and floor-ready. It is vocal-led. Spoken-word passages run through it. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). More underground than 99% of Dominik Eulberg's catalogue. In a set it works best as a warm-up or breakdown cut.
- Brightness:
- brighter than 94% of Dominik Eulberg's catalogue
- Low end:
- more treble-tilted than 86% of Dominik Eulberg's catalogue
- Tempo:
- slower than 80% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Elfenbein-Flechtenbärchen - Audiokommentar in?
Elfenbein-Flechtenbärchen - Audiokommentar by Dominik Eulberg is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Elfenbein-Flechtenbärchen - Audiokommentar?
Elfenbein-Flechtenbärchen - Audiokommentar runs at 106 BPM, a mid-tempo track.
What mixes well with Elfenbein-Flechtenbärchen - Audiokommentar?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Elfenbein-Flechtenbärchen - Audiokommentar good for peak time?
With energy 39 out of 100 at 106 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 106 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 100-112 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 106 — beatmatch without a big tempo pull.
More minimal
More from Dominik Eulberg
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 106 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
