Never Walk Alone
30s preview
- BPM
- 105
- Open Key
- 4m
- Energy
- 76/100
- Pop
- 0/100
- Length
- 3:41
- Released
- 2014
- Genre
- Minimal
- Loudness
- -8.7 dB
- Dynamics
- 15.1 dB
- ISRC
- CH7531400008
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 105 BPM in F♯ minor (11A), Never Walk Alone is a mid-tempo minimal production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). A 2014 production that still circulates in sets. Slower than 99% of Guy Gerber's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Guy Gerber's catalogue
- Groove:
- less groove-driven than 94% of Guy Gerber's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Never Walk Alone in?
Never Walk Alone by Guy Gerber is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Never Walk Alone?
Never Walk Alone runs at 105 BPM, a mid-tempo track.
What mixes well with Never Walk Alone?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Never Walk Alone good for peak time?
With energy 76 out of 100 at 105 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 105 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 99-111 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 105 — beatmatch without a big tempo pull.
More minimal
More from Guy Gerber
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 105 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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