Come Undone
30s preview
- Key
- 6A · G minor
- BPM
- 110
- Open Key
- 11m
- Energy
- 47/100
- Pop
- 0/100
- Length
- 4:34
- Released
- 2013
- Album
- Lost
- Genre
- Minimal
- Loudness
- -12.6 dB
- Dynamics
- 11.8 dB
- ISRC
- DEL021370058
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Come Undone - Trentemøller Remixremix4A · 110
- Come Undone - Toydrum Remixremix5B · 123
- Come Undone - Toydrum Instrumental Remixremix4A · 123
- Come Undone - Toydrum Beats Remixremix2B · 123
- Come Undone - Instrumentaloriginal6A · 110
A mid-tempo minimal cut, Come Undone sits in G minor (6A) at 110 BPM. It reads as dark and steady. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Trentemøller's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 88% of Trentemøller's catalogue
- Tempo:
- slower than 82% of Trentemøller's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Come Undone in?
Come Undone by Trentemøller is in G minor, or 6A on the Camelot wheel.
What BPM is Come Undone?
Come Undone runs at 110 BPM, a mid-tempo track.
What mixes well with Come Undone?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Come Undone good for peak time?
With energy 47 out of 100 at 110 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 110 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More minimal
More from Trentemøller
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
