Resolve
30s preview
- BPM
- 110
- Open Key
- 8m
- Energy
- 48/100
- Pop
- 0/100
- Length
- 5:32
- Released
- 2014
- Genre
- Minimal
- Loudness
- -13.8 dB
- Dynamics
- 15.2 dB
- ISRC
- QMSNZ1503418
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Resolve is a mid-tempo minimal track in B♭ minor (3A) at 110 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2014 production that still circulates in sets. More underground than 99% of Reinier Zonneveld's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 98% of Reinier Zonneveld's catalogue
- Energy:
- calmer than 95% of Reinier Zonneveld's catalogue
- Groove:
- groovier than 77% of Reinier Zonneveld's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Resolve in?
Resolve by Reinier Zonneveld is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Resolve?
Resolve runs at 110 BPM, a mid-tempo track.
What mixes well with Resolve?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Resolve good for peak time?
With energy 48 out of 100 at 110 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 110 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 103-117 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 110 — beatmatch without a big tempo pull.
More minimal
More from Reinier Zonneveld
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 110 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
