Right Thing - Instrumental
30s preview
- Key
- 8A · A minor
- BPM
- 123
- Open Key
- 1m
- Energy
- 91/100
- Pop
- 2/100
- Length
- 6:52
- Released
- 2016
- Album
- Right Thing
- Genre
- House
- Loudness
- -8.1 dB
- Dynamics
- 18.5 dB
- ISRC
- GBCPZ1609610
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Right Thingoriginal9A · 123
Against the original (9A at 123 BPM), this version holds the same tempo and moves the key from 9A to 8A.
Right Thing - Instrumental runs 123 BPM in A minor (8A), a club-tempo house record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 19 dB). A 2016 production that still circulates in sets. More treble-tilted than 96% of Dennis Ferrer's catalogue.
- Tempo:
- slower than 94% of Dennis Ferrer's catalogue
- Energy:
- hotter than 81% of Dennis Ferrer's catalogue
- Groove:
- groovier than 81% of Dennis Ferrer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Right Thing - Instrumental in?
Right Thing - Instrumental by Dennis Ferrer is in A minor, or 8A on the Camelot wheel.
What BPM is Right Thing - Instrumental?
Right Thing - Instrumental runs at 123 BPM, a club-tempo track.
What mixes well with Right Thing - Instrumental?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Right Thing - Instrumental good for peak time?
With energy 91 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 123 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Dennis Ferrer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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