Bas Noir - I'm Glad You Came to Me
30s preview
- BPM
- 123
- Open Key
- 3m
- Energy
- 91/100
- Pop
- 7/100
- Length
- 6:57
- Released
- 1999
- Album
- NYC Underground DJ Mix
- Genre
- House
- Loudness
- -6.7 dB
- Dynamics
- 11.8 dB
- ISRC
- NLA320683825
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bas Noir - My Love Is Magicoriginal9B · 122
Bas Noir - I'm Glad You Came to Me: club-tempo house, B minor (10A), 123 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 1999 production that still circulates in sets. Brighter than 90% of Louie Vega's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 89% of Louie Vega's catalogue
- Low end:
- more treble-tilted than 88% of Louie Vega's catalogue
- Tempo:
- slower than 80% of Louie Vega's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Bas Noir - I'm Glad You Came to Me in?
Bas Noir - I'm Glad You Came to Me by Louie Vega is in B minor, or 10A on the Camelot wheel.
What BPM is Bas Noir - I'm Glad You Came to Me?
Bas Noir - I'm Glad You Came to Me runs at 123 BPM, a club-tempo track.
What mixes well with Bas Noir - I'm Glad You Came to Me?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Bas Noir - I'm Glad You Came to Me good for peak time?
With energy 91 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Louie Vega
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.