Espirito Du Tempo - Babatunji's Dub 2
- BPM
- 123
- Open Key
- 3m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 5:14
- Released
- 1997
- Album
- Espirito Du Tempo
- Genre
- Deep House
- Loudness
- -13.5 dB
- ISRC
- USPBR0420395
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Espirito Du Tempo - Talib's Dreamoriginal12A · 123
- Espirito Du Tempo - Welcome Homeoriginal12A · 123
- Espirito Du Tempo - Babatunji's Dubversion10A · 123
- Espirito Du Tempo - MCoriginal1A · 123
- Espirito Du Tempo - Talib's Dream 2original1B · 123
- Espirito Du Tempo - Talib's Dream 3original10A · 123
Against the original (12A at 123 BPM), this version holds the same tempo and moves the key from 12A to 10A.
Espirito Du Tempo - Babatunji's Dub 2 is a club-tempo deep house track in B minor (10A) at 123 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1997 production that still circulates in sets. More underground than 99% of Kerri Chandler's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 86% of Kerri Chandler's catalogue
- Tempo:
- slower than 84% of Kerri Chandler's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Espirito Du Tempo - Babatunji's Dub 2 in?
Espirito Du Tempo - Babatunji's Dub 2 by Kerri Chandler is in B minor, or 10A on the Camelot wheel.
What BPM is Espirito Du Tempo - Babatunji's Dub 2?
Espirito Du Tempo - Babatunji's Dub 2 runs at 123 BPM, a club-tempo track.
What mixes well with Espirito Du Tempo - Babatunji's Dub 2?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Espirito Du Tempo - Babatunji's Dub 2 good for peak time?
With energy 92 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 123 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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