Goin' Freak (original mix)
30s preview
- BPM
- 123
- Open Key
- 3d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 7:25
- Released
- 2014
- Genre
- House
- Loudness
- -8.6 dB
- Dynamics
- 10.8 dB
- ISRC
- QMSNZ1315416
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Goin' Freak (original mix) sits in D major (10B) at 123 BPM. It reads as bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. More underground than 99% of Kevin McKay's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 87% of Kevin McKay's catalogue
- Groove:
- groovier than 83% of Kevin McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Goin' Freak (original mix) in?
Goin' Freak (original mix) by Kevin McKay is in D major, or 10B on the Camelot wheel.
What BPM is Goin' Freak (original mix)?
Goin' Freak (original mix) runs at 123 BPM, a club-tempo track.
What mixes well with Goin' Freak (original mix)?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Goin' Freak (original mix) good for peak time?
With energy 91 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 123 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Kevin McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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