What I Want - Killjoy Mix
30s preview
- BPM
- 126
- Open Key
- 4d
- Energy
- 72/100
- Pop
- 0/100
- Length
- 5:43
- Released
- 2013
- Album
- What I Want
- Genre
- House
- Loudness
- -12.8 dB
- Dynamics
- 11.7 dB
- ISRC
- QMFMG1351181
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- What I Wantoriginal10B · 128
- What I Wantoriginal10B · 128
- What I Want - Jamie Hustle Mixoriginal11A · 125
- What I Want - Notion Mixoriginal11A · 130
What I Want - Killjoy Mix runs 126 BPM in A major (11B), a club-tempo house record. Tonally it lands bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Chris Lorenzo's catalogue. In a set it works best as a floor-filler.
- Low end:
- more bass-heavy than 93% of Chris Lorenzo's catalogue
- Groove:
- groovier than 83% of Chris Lorenzo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is What I Want - Killjoy Mix in?
What I Want - Killjoy Mix by Chris Lorenzo is in A major, or 11B on the Camelot wheel.
What BPM is What I Want - Killjoy Mix?
What I Want - Killjoy Mix runs at 126 BPM, a club-tempo track.
What mixes well with What I Want - Killjoy Mix?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is What I Want - Killjoy Mix good for peak time?
With energy 72 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 126 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from Chris Lorenzo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
