Nuttin Dat by Chris Lorenzo cover art

Nuttin Dat

Chris Lorenzo

30s preview

Key
1B · B major
BPM
125
Open Key
6d
Energy
90/100
Pop
19/100
Length
3:42
Released
2019
Genre
House
Loudness
-6.1 dB
Dynamics
10.9 dB
ISRC
FR96X1972925

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Nuttin Dat: club-tempo house, B major (1B), 125 BPM. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Groovier than 99% of Chris Lorenzo's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 88% of Chris Lorenzo's catalogue
Tempo:
slower than 83% of Chris Lorenzo's catalogue
Energy:
hotter than 79% of Chris Lorenzo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood85Bright
Groove98
Acoustic22
Instrumental0
Live60
Speech21

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
16%
High
2.5-11 kHz

FAQ

What key is Nuttin Dat in?

Nuttin Dat by Chris Lorenzo is in B major, or 1B on the Camelot wheel.

What BPM is Nuttin Dat?

Nuttin Dat runs at 125 BPM, a club-tempo track.

What mixes well with Nuttin Dat?

From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.

Is Nuttin Dat good for peak time?

With energy 90 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

1B12B · 2B · 1A

From 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.

Every move from 1B

2BSimple Mix Upper
12BSimple Mix Downer
1ATonal Shift·
2ADiagonal Mix Upper
12ADiagonal Mix Downer
4ACompatible Tone·
3BHigh Energy Boost▲▲▲
11BHigh Energy Drain▼▼▼
4BParallel Key Upper▲▲
10BParallel Key Downer▼▼
8BTritone Jump▲▲
5BRelated Keyrisky

How to mix it

In 1B at 125 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 90/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More house

More from Chris Lorenzo

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track