Blah Blah Blah - Zany Remix
30s preview
- BPM
- 150
- Half-time
- 75
- Open Key
- 8d
- Energy
- 98/100
- Pop
- 39/100
- Length
- 2:32
- Released
- 2020
- Album
- Balance (Remixes)
- Genre
- Progressive Trance
- Label
- Armada Digital
- Loudness
- -1.8 dB
- Dynamics
- 13.2 dB
- ISRC
- NLF711807766
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Blah Blah Blah - Dmitriy Mityukhin '6 Underground' Editversion3B · 138
- Blah Blah Blah - Lilly Palmer Remixremix3B · 145
- Blah Blah Blah - TRU Concept Remixremix3B · 123
- Blah Blah Blah - Kid Comet Remixremix6A · 155
- Blah Blah Blah - Alyx Ander Remixremix4A · 124
- Blah Blah Blah (Mix Cut)original8B · 134
Against the original (8B at 134 BPM), this version runs 16 BPM faster and moves the key from 8B to 3B.
At 150 BPM in D♭ major (3B), Blah Blah Blah - Zany Remix is a fast progressive trance production. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 95% of Armin van Buuren's catalogue. In a set it works best as a high-intensity peak cut.
- Tempo:
- faster than 94% of Armin van Buuren's catalogue
- Energy:
- hotter than 92% of Armin van Buuren's catalogue
- Low end:
- more treble-tilted than 78% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Blah Blah Blah - Zany Remix in?
Blah Blah Blah - Zany Remix by Armin van Buuren is in D♭ major, or 3B on the Camelot wheel.
What BPM is Blah Blah Blah - Zany Remix?
Blah Blah Blah - Zany Remix runs at 150 BPM, a fast track.
What mixes well with Blah Blah Blah - Zany Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Blah Blah Blah - Zany Remix good for peak time?
With energy 98 out of 100 at 150 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 150 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 141-159 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 150 — beatmatch without a big tempo pull.
More progressive trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 150 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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