Blah Blah Blah - Kid Comet Remix
30s preview
- Key
- 6A · G minor
- BPM
- 155
- Half-time
- 78
- Open Key
- 11m
- Energy
- 82/100
- Pop
- 9/100
- Length
- 3:10
- Released
- 2020
- Album
- Balance (Remixes)
- Genre
- Progressive Trance
- Label
- Armada Digital
- Loudness
- -6.6 dB
- Dynamics
- 10.2 dB
- ISRC
- NLF711807768
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Blah Blah Blah - Zany Remixremix3B · 150
- Blah Blah Blah - Dmitriy Mityukhin '6 Underground' Editversion3B · 138
- Blah Blah Blah - Lilly Palmer Remixremix3B · 145
- Blah Blah Blah - TRU Concept Remixremix3B · 123
- Blah Blah Blah - Alyx Ander Remixremix4A · 124
- Blah Blah Blah (Mix Cut)original8B · 134
Against the original (8B at 134 BPM), this version runs 21 BPM faster and moves the key from 8B to 6A.
A fast progressive trance cut, Blah Blah Blah - Kid Comet Remix sits in G minor (6A) at 155 BPM. It reads as punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 98% of Armin van Buuren's catalogue. For programming, treat it as a high-intensity peak cut.
- Brightness:
- brighter than 91% of Armin van Buuren's catalogue
- Low end:
- more bass-heavy than 79% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Blah Blah Blah - Kid Comet Remix in?
Blah Blah Blah - Kid Comet Remix by Armin van Buuren is in G minor, or 6A on the Camelot wheel.
What BPM is Blah Blah Blah - Kid Comet Remix?
Blah Blah Blah - Kid Comet Remix runs at 155 BPM, a fast track.
What mixes well with Blah Blah Blah - Kid Comet Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Blah Blah Blah - Kid Comet Remix good for peak time?
With energy 82 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
![Sweet Escape (ASOT 1232) [Trending Track] by Armin van Buuren cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/812af214f092a983acf8.webp){kind=small}
How to mix it
In 6A at 155 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More progressive trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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