Only Dust Will Remain
30s preview
- Key
- 4A · F minor
- BPM
- 77
- Double-time
- 154
- Open Key
- 9m
- Energy
- 54/100
- Pop
- 0/100
- Length
- 6:00
- Released
- 2025
- Genre
- Progressive House
- Loudness
- -9.1 dB
- Dynamics
- 14.0 dB
- ISRC
- GBEWA2503208
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A progressive house cut, Only Dust Will Remain sits in F minor (4A) at 77 BPM. Tonally it lands dark and steady. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Slower than 99% of PROFF's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 99% of PROFF's catalogue
- Reach:
- more underground than 99% of PROFF's catalogue
- Energy:
- calmer than 89% of PROFF's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 7%
- High
- 2.5-11 kHz
FAQ
What key is Only Dust Will Remain in?
Only Dust Will Remain by PROFF is in F minor, or 4A on the Camelot wheel.
What BPM is Only Dust Will Remain?
Only Dust Will Remain runs at 77 BPM.
What mixes well with Only Dust Will Remain?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Only Dust Will Remain good for peak time?
With energy 54 out of 100 at 77 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 77 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 72-82 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 77 — beatmatch without a big tempo pull.
More progressive house
More from PROFF
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 77 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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