The Funk Phenomena - X-Mix Remix
30s preview
- BPM
- 128
- Open Key
- 7d
- Energy
- 98/100
- Pop
- 2/100
- Length
- 6:24
- Released
- 1996
- Album
- The Funk Phenomena (The Remixes)
- Genre
- House
- Loudness
- -2.1 dB
- Dynamics
- 10.4 dB
- ISRC
- USRK31200291
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Funk Phenomenaoriginal12A · 127
- The Funk Phenomena - Radio Editversion12A · 127
- The Funk Phenomena - Matthias Edit 1version3B · 127
- The Funk Phenomena - Matthias Edit 2version3B · 127
- The Funk Phenomena - Starkillers Mixoriginal9B · 128
- The Funk Phenomena - Da Hool Remixremix3B · 128
Against the original (12A at 127 BPM), this version runs 1 BPM faster and moves the key from 12A to 2B.
The Funk Phenomena - X-Mix Remix: peak-time tempo house, F♯ major (2B), 128 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 1996 production that still circulates in sets. Hotter than 96% of Armand Van Helden's catalogue.
- Groove:
- groovier than 86% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is The Funk Phenomena - X-Mix Remix in?
The Funk Phenomena - X-Mix Remix by Armand Van Helden is in F♯ major, or 2B on the Camelot wheel.
What BPM is The Funk Phenomena - X-Mix Remix?
The Funk Phenomena - X-Mix Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with The Funk Phenomena - X-Mix Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is The Funk Phenomena - X-Mix Remix good for peak time?
With energy 98 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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