Steel Thing by Claude VonStroke cover art

Steel Thing

Claude VonStroke

Key
11A · F♯ minor
BPM
128
Open Key
4m
Energy
97/100
Pop
10/100
Length
3:38
Released
2023
Genre
Tech House
Loudness
-4.9 dB
ISRC
USUYG1485659

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 128 BPM in F♯ minor (11A), Steel Thing is a peak-time tempo tech house production. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master is loud and heavily compressed. Hotter than 98% of Claude VonStroke's catalogue. In a set it works best as a peak-time weapon.

Groove:
less groove-driven than 83% of Claude VonStroke's catalogue
Tempo:
faster than 82% of Claude VonStroke's catalogue
Reach:
better known than 82% of Claude VonStroke's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood26Dark
Groove76
Acoustic0
Instrumental85
Live9
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Steel Thing in?

Steel Thing by Claude VonStroke is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Steel Thing?

Steel Thing runs at 128 BPM, a peak-time tempo track.

What mixes well with Steel Thing?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Steel Thing good for peak time?

With energy 97 out of 100 at 128 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

#TrackKey·BPM

More from Claude VonStroke

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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