Hear What They Hear - Danny Howard Extended Re-Edit
- BPM
- 128
- Open Key
- 4d
- Energy
- 96/100
- Pop
- 13/100
- Length
- 7:16
- Released
- 2023
- Album
- Hear What They Hear (Danny Howard Re-Edit)
- Genre
- Tech House
- Loudness
- -7.0 dB
- ISRC
- GBJAJ2300809
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Hear What They Hear - Danny Howard Re-Editversion11A · 128
At 128 BPM in A major (11B), Hear What They Hear - Danny Howard Extended Re-Edit is a peak-time tempo tech house production. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Groovier than 90% of Danny Howard's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 81% of Danny Howard's catalogue
- Energy:
- hotter than 75% of Danny Howard's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Hear What They Hear - Danny Howard Extended Re-Edit in?
Hear What They Hear - Danny Howard Extended Re-Edit by Danny Howard is in A major, or 11B on the Camelot wheel.
What BPM is Hear What They Hear - Danny Howard Extended Re-Edit?
Hear What They Hear - Danny Howard Extended Re-Edit runs at 128 BPM, a peak-time tempo track.
What mixes well with Hear What They Hear - Danny Howard Extended Re-Edit?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Hear What They Hear - Danny Howard Extended Re-Edit good for peak time?
With energy 96 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 128 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More tech house
More from Danny Howard
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.