About To Be Destroyed - Original Mix
- BPM
- 128
- Open Key
- 8m
- Energy
- 59/100
- Pop
- 0/100
- Length
- 6:34
- Released
- 2013
- Album
- About To Be Destroyed
- Genre
- Techno
- Loudness
- -9.9 dB
- ISRC
- GBKQU1331718
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- About To Be Destroyed - Andy Notalez Remixremix9B · 127
- About To Be Destroyed - MAAE Remixremix10A · 126
- About To Be Destroyed - Skober Remixremix8B · 126
About To Be Destroyed - Original Mix runs 128 BPM in B♭ minor (3A), a peak-time tempo techno record. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. More underground than 99% of AnGy KoRe's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 93% of AnGy KoRe's catalogue
- Tempo:
- slower than 84% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is About To Be Destroyed - Original Mix in?
About To Be Destroyed - Original Mix by AnGy KoRe is in B♭ minor, or 3A on the Camelot wheel.
What BPM is About To Be Destroyed - Original Mix?
About To Be Destroyed - Original Mix runs at 128 BPM, a peak-time tempo track.
What mixes well with About To Be Destroyed - Original Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is About To Be Destroyed - Original Mix good for peak time?
With energy 59 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 128 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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