One Three O by Mark Broom cover art

One Three O

Mark Broom

Key
11A · F♯ minor
BPM
128
Open Key
4m
Energy
60/100
Pop
0/100
Length
4:49
Released
2013
Album
One Three O EP
Genre
Techno
Loudness
-9.3 dB
ISRC
UK28T1300017

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo techno cut, One Three O sits in F♯ minor (11A) at 128 BPM. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. More underground than 99% of Mark Broom's catalogue.

Energy:
calmer than 91% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy60
Mood32Dark
Groove77
Acoustic0
Instrumental86
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is One Three O in?

One Three O by Mark Broom is in F♯ minor, or 11A on the Camelot wheel.

What BPM is One Three O?

One Three O runs at 128 BPM, a peak-time tempo track.

What mixes well with One Three O?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is One Three O good for peak time?

With energy 60 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#TrackKey·BPM

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 128 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

More from Mark Broom

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.