Mover by Mark Broom cover art

30s preview

Key
9B · G major
BPM
128
Open Key
2d
Energy
60/100
Pop
0/100
Length
4:38
Released
2021
Genre
Techno
Loudness
-9.9 dB
Dynamics
6.5 dB
ISRC
GBLTF2100095

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 128 BPM in G major (9B), Mover is a peak-time tempo techno production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is squashed flat, built for loudness (crest 7 dB). More underground than 99% of Mark Broom's catalogue. In a set it works best as a mid-set roller.

Low end:
more bass-heavy than 99% of Mark Broom's catalogue
Energy:
calmer than 91% of Mark Broom's catalogue
Groove:
groovier than 88% of Mark Broom's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy60
Mood16Dark
Groove81
Acoustic0
Instrumental94
Live11
Speech12

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
57%
Low
30-130 Hz
35%
Low-mid
130-570 Hz
8%
Upper-mid
570 Hz-2.5 kHz
0%
High
2.5-11 kHz

FAQ

What key is Mover in?

Mover by Mark Broom is in G major, or 9B on the Camelot wheel.

What BPM is Mover?

Mover runs at 128 BPM, a peak-time tempo track.

What mixes well with Mover?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Mover good for peak time?

With energy 60 out of 100 at 128 BPM, it works best as a mid-set roller.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#TrackKey·BPM

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 128 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

#TrackKey·BPM

More techno

#TrackKey·BPM

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Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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