About To Be Destroyed - Skober Remix
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 56/100
- Pop
- 0/100
- Length
- 6:40
- Released
- 2013
- Album
- About To Be Destroyed
- Genre
- Techno
- Loudness
- -9.3 dB
- ISRC
- GBKQU1331719
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- About To Be Destroyed - Andy Notalez Remixremix9B · 127
- About To Be Destroyed - MAAE Remixremix10A · 126
- About To Be Destroyed - Original Mixoriginal3A · 128
Against the original (3A at 128 BPM), this version runs 2 BPM slower and moves the key from 3A to 8B.
About To Be Destroyed - Skober Remix is a club-tempo techno track in C major (8B) at 126 BPM. It reads as balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2013 production that still circulates in sets. More underground than 99% of AnGy KoRe's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 97% of AnGy KoRe's catalogue
- Energy:
- calmer than 95% of AnGy KoRe's catalogue
- Groove:
- groovier than 94% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is About To Be Destroyed - Skober Remix in?
About To Be Destroyed - Skober Remix by AnGy KoRe is in C major, or 8B on the Camelot wheel.
What BPM is About To Be Destroyed - Skober Remix?
About To Be Destroyed - Skober Remix runs at 126 BPM, a club-tempo track.
What mixes well with About To Be Destroyed - Skober Remix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is About To Be Destroyed - Skober Remix good for peak time?
With energy 56 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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