Express Myself - Daniel Schlender Remix
30s preview
- BPM
- 126
- Open Key
- 5m
- Energy
- 55/100
- Pop
- 5/100
- Length
- 7:33
- Released
- 2011
- Album
- My Name Is ...remixes
- Genre
- Techno
- Label
- Harthouse Mannheim
- Loudness
- -14.9 dB
- Dynamics
- 12.5 dB
- ISRC
- DEAZ31105599
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Express Myselforiginal2B · 125
- Express Myself - Kanio Remixremix1B · 125
- Express Myself - Simon Wish Remixremix9A · 125
Against the original (2B at 125 BPM), this version runs 1 BPM faster and moves the key from 2B to 12A.
A club-tempo techno cut, Express Myself - Daniel Schlender Remix sits in D♭ minor (12A) at 126 BPM. Tonally it lands dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2011 production that still circulates in sets. Darker than 96% of Boris Brejcha's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 94% of Boris Brejcha's catalogue
- Tempo:
- faster than 90% of Boris Brejcha's catalogue
- Reach:
- more underground than 80% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 46%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Express Myself - Daniel Schlender Remix in?
Express Myself - Daniel Schlender Remix by Boris Brejcha is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Express Myself - Daniel Schlender Remix?
Express Myself - Daniel Schlender Remix runs at 126 BPM, a club-tempo track.
What mixes well with Express Myself - Daniel Schlender Remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Express Myself - Daniel Schlender Remix good for peak time?
With energy 55 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 126 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More techno
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
