Organ
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 56/100
- Pop
- 0/100
- Length
- 6:51
- Released
- 2011
- Album
- Mondfahrt
- Genre
- Tech House
- Loudness
- -13.1 dB
- Dynamics
- 13.5 dB
- ISRC
- DEN951103969
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 126 BPM in D♭ major (3B), Organ is a club-tempo tech house production. The feel is dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2011 production that still circulates in sets. More underground than 99% of Jonas Saalbach's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- faster than 94% of Jonas Saalbach's catalogue
- Low end:
- more bass-heavy than 93% of Jonas Saalbach's catalogue
- Brightness:
- darker than 75% of Jonas Saalbach's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Organ in?
Organ by Jonas Saalbach is in D♭ major, or 3B on the Camelot wheel.
What BPM is Organ?
Organ runs at 126 BPM, a club-tempo track.
What mixes well with Organ?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Organ good for peak time?
With energy 56 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Jonas Saalbach
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
