Bohemian
30s preview
- BPM
- 145
- Half-time
- 73
- Open Key
- 3m
- Energy
- 85/100
- Pop
- 13/100
- Length
- 4:34
- Released
- 2016
- Genre
- Drum N Bass
- Loudness
- -4.8 dB
- Dynamics
- 14.1 dB
- ISRC
- GB6UF0000117
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo drum n bass cut, Bohemian sits in B minor (10A) at 145 BPM. The feel is bright and euphoric. The mix is almost entirely instrumental. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). A 2016 production that still circulates in sets. Brighter than 98% of 1991's catalogue. For programming, treat it as a high-intensity peak cut.
- Low end:
- more treble-tilted than 97% of 1991's catalogue
- Tempo:
- slower than 89% of 1991's catalogue
- Groove:
- groovier than 89% of 1991's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 22%
- High
- 2.5-11 kHz
FAQ
What key is Bohemian in?
Bohemian by 1991 is in B minor, or 10A on the Camelot wheel.
What BPM is Bohemian?
Bohemian runs at 145 BPM, a driving up-tempo track.
What mixes well with Bohemian?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Bohemian good for peak time?
With energy 85 out of 100 at 145 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 145 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 136-154 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 145 — beatmatch without a big tempo pull.
More drum n bass
More from 1991
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 145 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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