In the House (original mix)
30s preview
- Key
- 8B · C major
- BPM
- 123
- Open Key
- 1d
- Energy
- 91/100
- Pop
- 0/100
- Length
- 6:58
- Released
- 2016
- Genre
- House
- Loudness
- -5.9 dB
- Dynamics
- 16.1 dB
- ISRC
- CA7C61600091
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
In the House (original mix) runs 123 BPM in C major (8B), a club-tempo house record. The groove is strong and floor-ready. The master keeps unusual dynamic range for club music (crest 16 dB). A 2016 production that still circulates in sets. Groovier than 99% of Todd Terry's catalogue. In a set it works best as a floor-filler.
- Reach:
- more underground than 99% of Todd Terry's catalogue
- Low end:
- more treble-tilted than 95% of Todd Terry's catalogue
- Tempo:
- slower than 91% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is In the House (original mix) in?
In the House (original mix) by Todd Terry is in C major, or 8B on the Camelot wheel.
What BPM is In the House (original mix)?
In the House (original mix) runs at 123 BPM, a club-tempo track.
What mixes well with In the House (original mix)?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is In the House (original mix) good for peak time?
With energy 91 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 123 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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