If I Could See You Sometimes
30s preview
- Key
- 8A · A minor
- BPM
- 123
- Open Key
- 1m
- Energy
- 94/100
- Pop
- 0/100
- Length
- 5:46
- Released
- 2017
- Album
- Let's Work It Out
- Genre
- House
- Loudness
- -9.5 dB
- Dynamics
- 10.6 dB
- ISRC
- DEZ651713795
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 123 BPM in A minor (8A), If I Could See You Sometimes is a club-tempo house production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. More underground than 99% of Tilman's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 98% of Tilman's catalogue
- Brightness:
- darker than 96% of Tilman's catalogue
- Energy:
- hotter than 91% of Tilman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is If I Could See You Sometimes in?
If I Could See You Sometimes by Tilman is in A minor, or 8A on the Camelot wheel.
What BPM is If I Could See You Sometimes?
If I Could See You Sometimes runs at 123 BPM, a club-tempo track.
What mixes well with If I Could See You Sometimes?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is If I Could See You Sometimes good for peak time?
With energy 94 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 123 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More house
More from Tilman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
