Where The Wild Things Are
30s preview
- BPM
- 123
- Open Key
- 11d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 7:17
- Released
- 2014
- Album
- Slash
- Genre
- Techno
- Loudness
- -10.8 dB
- Dynamics
- 10.7 dB
- ISRC
- QMSNZ1451875
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Where the Wild Things Areoriginal6B · 123
A club-tempo techno cut, Where The Wild Things Are sits in B♭ major (6B) at 123 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2014 production that still circulates in sets. More underground than 99% of Pig&Dan's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 96% of Pig&Dan's catalogue
- Groove:
- groovier than 91% of Pig&Dan's catalogue
- Brightness:
- brighter than 89% of Pig&Dan's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 36%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Where The Wild Things Are in?
Where The Wild Things Are by Pig&Dan is in B♭ major, or 6B on the Camelot wheel.
What BPM is Where The Wild Things Are?
Where The Wild Things Are runs at 123 BPM, a club-tempo track.
What mixes well with Where The Wild Things Are?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Where The Wild Things Are good for peak time?
With energy 94 out of 100 at 123 BPM, it works best as a floor-filler.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 123 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 123 — beatmatch without a big tempo pull.
More techno
More from Pig&Dan
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
