Dinner for Valentine - Marco Lys Remix by Nakadia cover art

Dinner for Valentine - Marco Lys Remix

Nakadia

30s preview

Key
9B · G major
BPM
123
Open Key
2d
Energy
94/100
Pop
0/100
Length
7:35
Released
2014
Album
Dinner for Valentine
Genre
Techno
Label
Natura Viva
Loudness
-5.7 dB
Dynamics
11.7 dB
ISRC
DEH741415085

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (4B at 125 BPM), this version runs 2 BPM slower and moves the key from 4B to 9B.

Dinner for Valentine - Marco Lys Remix: club-tempo techno, G major (9B), 123 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. Slower than 99% of Nakadia's catalogue. For programming, treat it as a floor-filler.

Reach:
more underground than 99% of Nakadia's catalogue
Brightness:
brighter than 87% of Nakadia's catalogue
Low end:
more treble-tilted than 79% of Nakadia's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy94
Mood54Balanced
Groove80
Acoustic0
Instrumental81
Live8
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Dinner for Valentine - Marco Lys Remix in?

Dinner for Valentine - Marco Lys Remix by Nakadia is in G major, or 9B on the Camelot wheel.

What BPM is Dinner for Valentine - Marco Lys Remix?

Dinner for Valentine - Marco Lys Remix runs at 123 BPM, a club-tempo track.

What mixes well with Dinner for Valentine - Marco Lys Remix?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Dinner for Valentine - Marco Lys Remix good for peak time?

With energy 94 out of 100 at 123 BPM, it works best as a floor-filler.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 123 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 116-130 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 123 — beatmatch without a big tempo pull.

More techno

More from Nakadia

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 123 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track