Stick To This
30s preview
- Key
- 9B · G major
- BPM
- 111
- Open Key
- 2d
- Energy
- 41/100
- Pop
- 1/100
- Length
- 5:19
- Released
- 2020
- Genre
- Deep House
- Loudness
- -17.4 dB
- Dynamics
- 15.7 dB
- ISRC
- DEUE22057324
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Stick To This: mid-tempo deep house, G major (9B), 111 BPM. The feel is balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 16 dB). Slower than 98% of Tim Engelhardt's catalogue. In a set it works best as a warm-up or breakdown cut.
- Energy:
- calmer than 88% of Tim Engelhardt's catalogue
- Groove:
- less groove-driven than 78% of Tim Engelhardt's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Stick To This in?
Stick To This by Tim Engelhardt is in G major, or 9B on the Camelot wheel.
What BPM is Stick To This?
Stick To This runs at 111 BPM, a mid-tempo track.
What mixes well with Stick To This?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Stick To This good for peak time?
With energy 41 out of 100 at 111 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 111 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 104-118 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 111 — beatmatch without a big tempo pull.
More deep house
More from Tim Engelhardt
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 111 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
