Took Me All the Way Back
- BPM
- 127
- Open Key
- 4m
- Energy
- 60/100
- Pop
- 0/100
- Length
- 9:03
- Released
- 2000
- Album
- Sound Signature Sounds
- Genre
- Deep House
- Loudness
- -13.4 dB
- ISRC
- DEZ651118048
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Took Me All the Way Backoriginal11A · 129
Took Me All the Way Back: peak-time tempo deep house, F♯ minor (11A), 127 BPM. Tonally it lands dark and steady. Spoken-word passages run through it. The master keeps real dynamic headroom. A 2000 production that still circulates in sets. More underground than 99% of Theo Parrish's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 91% of Theo Parrish's catalogue
- Tempo:
- faster than 89% of Theo Parrish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Took Me All the Way Back in?
Took Me All the Way Back by Theo Parrish is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Took Me All the Way Back?
Took Me All the Way Back runs at 127 BPM, a peak-time tempo track.
What mixes well with Took Me All the Way Back?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Took Me All the Way Back good for peak time?
With energy 60 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 127 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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