Sight and Sound
- BPM
- 127
- Open Key
- 7d
- Energy
- 60/100
- Pop
- 0/100
- Length
- 9:10
- Released
- 1996
- Album
- Perkin Hard EP
- Genre
- House
- Loudness
- -17.1 dB
- ISRC
- NL-Z50-07-00043
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Sight and Sound is a peak-time tempo house track in F♯ major (2B) at 127 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1996 production that still circulates in sets. More underground than 99% of Gene Farris's catalogue. In a set it works best as a mid-set roller.
- Groove:
- less groove-driven than 98% of Gene Farris's catalogue
- Energy:
- calmer than 86% of Gene Farris's catalogue
- Tempo:
- faster than 76% of Gene Farris's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sight and Sound in?
Sight and Sound by Gene Farris is in F♯ major, or 2B on the Camelot wheel.
What BPM is Sight and Sound?
Sight and Sound runs at 127 BPM, a peak-time tempo track.
What mixes well with Sight and Sound?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Sight and Sound good for peak time?
With energy 60 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
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How to mix it
In 2B at 127 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from Gene Farris
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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