Creepcake
30s preview
- BPM
- 146
- Half-time
- 73
- Open Key
- 9d
- Energy
- 13/100
- Pop
- 0/100
- Length
- 3:56
- Released
- 2014
- Album
- American Intelligence
- Genre
- Deep House
- Loudness
- -12.0 dB
- Dynamics
- 11.9 dB
- ISRC
- DEZ651375908
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Creepcake: fast deep house, A♭ major (4B), 146 BPM. The feel is subdued and even. It is vocal-led. Spoken-word passages run through it. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. More underground than 99% of Theo Parrish's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of Theo Parrish's catalogue
- Tempo:
- faster than 95% of Theo Parrish's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 33%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Creepcake in?
Creepcake by Theo Parrish is in A♭ major, or 4B on the Camelot wheel.
What BPM is Creepcake?
Creepcake runs at 146 BPM, a fast track.
What mixes well with Creepcake?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Creepcake good for peak time?
With energy 13 out of 100 at 146 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 146 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 137-155 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 146 — beatmatch without a big tempo pull.
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More from Theo Parrish
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 146 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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