Always Do You - Richard Knott Extended Mix
30s preview
- BPM
- 126
- Open Key
- 4m
- Energy
- 80/100
- Pop
- 2/100
- Length
- 5:51
- Released
- 2017
- Album
- Embarcadero EP (The Remixes)
- Genre
- Progressive House
- Label
- Anjunabeats
- Loudness
- -7.3 dB
- Dynamics
- 11.3 dB
- ISRC
- GBEWA1702287
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Always Do You (Oliver Smith remix)remix10A · 126
- Always Do You - Radio Editversion10A · 126
- Always Do You - Oliver Smith Remixremix11B · 128
- Always Do You - Oliver Smith Extended Mixversion11B · 128
- Always Do You - Richard Knott Remixremix10A · 126
A club-tempo progressive house cut, Always Do You - Richard Knott Extended Mix sits in F♯ minor (11A) at 126 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2017 production that still circulates in sets. More underground than 84% of Spencer Brown's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 78% of Spencer Brown's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Always Do You - Richard Knott Extended Mix in?
Always Do You - Richard Knott Extended Mix by Spencer Brown is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Always Do You - Richard Knott Extended Mix?
Always Do You - Richard Knott Extended Mix runs at 126 BPM, a club-tempo track.
What mixes well with Always Do You - Richard Knott Extended Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Always Do You - Richard Knott Extended Mix good for peak time?
With energy 80 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Spencer Brown
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
