Always Do You - Richard Knott Remix
30s preview
- BPM
- 126
- Open Key
- 3m
- Energy
- 85/100
- Pop
- 2/100
- Length
- 3:49
- Released
- 2017
- Album
- Embarcadero EP (The Remixes)
- Genre
- Progressive House
- Label
- Anjunabeats
- Loudness
- -7.7 dB
- Dynamics
- 11.5 dB
- ISRC
- GBEWA1702283
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Always Do You (Oliver Smith remix)remix10A · 126
- Always Do You - Radio Editversion10A · 126
- Always Do You - Oliver Smith Remixremix11B · 128
- Always Do You - Oliver Smith Extended Mixversion11B · 128
- Always Do You - Richard Knott Extended Mixversion11A · 126
Always Do You - Richard Knott Remix runs 126 BPM in B minor (10A), a club-tempo progressive house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2017 production that still circulates in sets. Darker than 95% of Spencer Brown's catalogue.
- Reach:
- more underground than 84% of Spencer Brown's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Always Do You - Richard Knott Remix in?
Always Do You - Richard Knott Remix by Spencer Brown is in B minor, or 10A on the Camelot wheel.
What BPM is Always Do You - Richard Knott Remix?
Always Do You - Richard Knott Remix runs at 126 BPM, a club-tempo track.
What mixes well with Always Do You - Richard Knott Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Always Do You - Richard Knott Remix good for peak time?
With energy 85 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Spencer Brown
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
