Double Down (radio edit)
- BPM
- 126
- Open Key
- 8m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 4:15
- Released
- 2014
- Genre
- Progressive House
- Loudness
- -8.5 dB
- ISRC
- CH3131340388
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Double Down - Original Mixoriginal3A · 126
Against the original (3A at 126 BPM), this version holds the same tempo in the same key.
Double Down (radio edit) runs 126 BPM in B♭ minor (3A), a club-tempo progressive house record. The mix is almost entirely instrumental. A 2014 production that still circulates in sets. More underground than 99% of Spencer Brown's catalogue.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Double Down (radio edit) in?
Double Down (radio edit) by Spencer Brown is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Double Down (radio edit)?
Double Down (radio edit) runs at 126 BPM, a club-tempo track.
What mixes well with Double Down (radio edit)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Double Down (radio edit) good for peak time?
With energy 80 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Spencer Brown
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![Reminiscent [extended mix] by Marsh cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/764397c5f01ad2badd82.webp){kind=small}
