Gazoline by Tinlicker cover art

Gazoline

Tinlicker

30s preview

Key
5A · C minor
BPM
126
Open Key
10m
Energy
79/100
Pop
0/100
Length
8:08
Released
2015
Genre
Progressive House
Loudness
-4.9 dB
Dynamics
10.3 dB
ISRC
USQY51542908

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 126 BPM in C minor (5A), Gazoline is a club-tempo progressive house production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2015 production that still circulates in sets. More underground than 99% of Tinlicker's catalogue. In a set it works best as a peak-time weapon.

Tempo:
faster than 79% of Tinlicker's catalogue
Low end:
more bass-heavy than 77% of Tinlicker's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy79
Mood20Dark
Groove68
Acoustic3
Instrumental71
Live11
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Gazoline in?

Gazoline by Tinlicker is in C minor, or 5A on the Camelot wheel.

What BPM is Gazoline?

Gazoline runs at 126 BPM, a club-tempo track.

What mixes well with Gazoline?

From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.

Is Gazoline good for peak time?

With energy 79 out of 100 at 126 BPM, it works best as a peak-time weapon.

Mixes harmonically

5A4A · 6A · 5B

From 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.

Every move from 5A

6ASimple Mix Upper
4ASimple Mix Downer
5BTonal Shift·
6BDiagonal Mix Upper
4BDiagonal Mix Downer
2BCompatible Tone·
7AHigh Energy Boost▲▲▲
3AHigh Energy Drain▼▼▼
8AParallel Key Upper▲▲
2AParallel Key Downer▼▼
12ATritone Jump▲▲
9ARelated Keyrisky

How to mix it

In 5A at 126 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 79/100).

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

More progressive house

More from Tinlicker

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track