Holding On - Edit
30s preview
- Key
- 8B · C major
- BPM
- 126
- Open Key
- 1d
- Energy
- 79/100
- Pop
- 4/100
- Length
- 4:10
- Released
- 2021
- Album
- French Plan
- Genre
- Tech House
- Loudness
- -8.4 dB
- Dynamics
- 12.2 dB
- ISRC
- GBJX32094045
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Holding On - Edit: club-tempo tech house, C major (8B), 126 BPM. The feel is bright and euphoric. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Less groove-driven than 94% of Ben Rau's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 88% of Ben Rau's catalogue
- Energy:
- calmer than 77% of Ben Rau's catalogue
- Brightness:
- brighter than 77% of Ben Rau's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Holding On - Edit in?
Holding On - Edit by Ben Rau is in C major, or 8B on the Camelot wheel.
What BPM is Holding On - Edit?
Holding On - Edit runs at 126 BPM, a club-tempo track.
What mixes well with Holding On - Edit?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Holding On - Edit good for peak time?
With energy 79 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![Reminiscent [extended mix] by Marsh cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/764397c5f01ad2badd82.webp){kind=small}
How to mix it
In 8B at 126 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Ben Rau
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
