Awakenings ( John Digweed & Nick Muir vs. Psycatron) (Stripped Mix)
30s preview
- BPM
- 126
- Open Key
- 4m
- Energy
- 79/100
- Pop
- 0/100
- Length
- 8:02
- Released
- 2013
- Album
- Versus
- Genre
- Progressive House
- Loudness
- -10.4 dB
- Dynamics
- 10.1 dB
- ISRC
- GBEPM1000680
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Awakeningsoriginal9B · 126
A club-tempo progressive house cut, Awakenings ( John Digweed & Nick Muir vs. Psycatron) (Stripped Mix) sits in F♯ minor (11A) at 126 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Nick Muir's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 95% of Nick Muir's catalogue
- Groove:
- less groove-driven than 80% of Nick Muir's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Awakenings ( John Digweed & Nick Muir vs. Psycatron) (Stripped Mix) in?
Awakenings ( John Digweed & Nick Muir vs. Psycatron) (Stripped Mix) by Nick Muir is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Awakenings ( John Digweed & Nick Muir vs. Psycatron) (Stripped Mix)?
Awakenings ( John Digweed & Nick Muir vs. Psycatron) (Stripped Mix) runs at 126 BPM, a club-tempo track.
What mixes well with Awakenings ( John Digweed & Nick Muir vs. Psycatron) (Stripped Mix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Awakenings ( John Digweed & Nick Muir vs. Psycatron) (Stripped Mix) good for peak time?
With energy 79 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 126 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
![Reminiscent [extended mix] by Marsh cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/764397c5f01ad2badd82.webp){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
