Front To Back - Original Sin Mix
30s preview
- BPM
- 175
- Half-time
- 88
- Open Key
- 3m
- Energy
- 95/100
- Pop
- 16/100
- Length
- 5:17
- Released
- 2010
- Album
- Stand Tall EP Part 1
- Genre
- Drum N Bass
- Loudness
- -3.9 dB
- Dynamics
- 10.0 dB
- ISRC
- GBKBH1034001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Front To Backoriginal8B · 175
- Front to Backoriginal8B · 175
Front To Back - Original Sin Mix: drum n bass, B minor (10A), 175 BPM. It reads as punchy, neutral in mood. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2010 production that still circulates in sets. Hotter than 87% of Sigma's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 81% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Front To Back - Original Sin Mix in?
Front To Back - Original Sin Mix by Sigma is in B minor, or 10A on the Camelot wheel.
What BPM is Front To Back - Original Sin Mix?
Front To Back - Original Sin Mix runs at 175 BPM.
What mixes well with Front To Back - Original Sin Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Front To Back - Original Sin Mix good for peak time?
With energy 95 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 175 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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