All Blue by Sigma cover art

All Blue

Sigma

30s preview

Key
2B · F♯ major
BPM
175
Half-time
88
Open Key
7d
Energy
95/100
Pop
27/100
Length
6:32
Released
2007
Album
El Presidente / All Blue
Genre
Drum N Bass
Loudness
-4.1 dB
Dynamics
16.7 dB
ISRC
GBFGQ0200082

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

All Blue runs 175 BPM in F♯ major (2B), a drum n bass record. The feel is punchy, neutral in mood. It leans atmospheric over strictly danceable. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 17 dB). A 2007 production that still circulates in sets. More treble-tilted than 94% of Sigma's catalogue. In a set it works best as an opener or closing-set piece.

Energy:
hotter than 89% of Sigma's catalogue
Reach:
better known than 88% of Sigma's catalogue
Groove:
less groove-driven than 82% of Sigma's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood46Balanced
Groove43
Acoustic0
Instrumental16
Live20
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is All Blue in?

All Blue by Sigma is in F♯ major, or 2B on the Camelot wheel.

What BPM is All Blue?

All Blue runs at 175 BPM.

What mixes well with All Blue?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is All Blue good for peak time?

With energy 95 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

#TrackKey·BPM

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 175 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Sigma

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

Every insight on this page, for your own library.

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