Get Dirty by Camo & Krooked cover art
Key
6A · G minor
BPM
175
Half-time
88
Open Key
11m
Energy
95/100
Pop
0/100
Length
4:51
Released
2011
Genre
Drum N Bass
Loudness
-2.9 dB
ISRC
GBCJY1200055

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A drum n bass cut, Get Dirty sits in G minor (6A) at 175 BPM. The groove is loose and less beat-driven. It is vocal-led. The master is loud and heavily compressed. A 2011 production that still circulates in sets. More underground than 99% of Camo & Krooked's catalogue. In a set it works best as an opener or closing-set piece.

Brightness:
darker than 85% of Camo & Krooked's catalogue
Groove:
less groove-driven than 83% of Camo & Krooked's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy95
Mood7Dark
Groove36
Acoustic0
Instrumental2
Live36
Speech26

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Get Dirty in?

Get Dirty by Camo & Krooked is in G minor, or 6A on the Camelot wheel.

What BPM is Get Dirty?

Get Dirty runs at 175 BPM.

What mixes well with Get Dirty?

From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.

Is Get Dirty good for peak time?

With energy 95 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

6A5A · 7A · 6B

From 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.

#TrackKey·BPM

Every move from 6A

7ASimple Mix Upper
5ASimple Mix Downer
6BTonal Shift·
7BDiagonal Mix Upper
5BDiagonal Mix Downer
3BCompatible Tone·
8AHigh Energy Boost▲▲▲
4AHigh Energy Drain▼▼▼
9AParallel Key Upper▲▲
3AParallel Key Downer▼▼
1ATritone Jump▲▲
10ARelated Keyrisky

How to mix it

In 6A at 175 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Camo & Krooked

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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