Front to Back
30s preview
- Key
- 8B · C major
- BPM
- 175
- Half-time
- 88
- Open Key
- 1d
- Energy
- 92/100
- Pop
- 0/100
- Length
- 4:28
- Released
- 2008
- Album
- Nexus / Front to Back
- Genre
- Drum N Bass
- Loudness
- -4.7 dB
- Dynamics
- 8.9 dB
- ISRC
- UK5YR0900004
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Front To Back - Original Sin Mixoriginal10A · 175
- Front To Backoriginal8B · 175
At 175 BPM in C major (8B), Front to Back is a drum n bass production. Tonally it lands punchy, neutral in mood. It leans atmospheric over strictly danceable. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2008 production that still circulates in sets. More underground than 99% of Sigma's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more bass-heavy than 89% of Sigma's catalogue
- Groove:
- less groove-driven than 79% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Front to Back in?
Front to Back by Sigma is in C major, or 8B on the Camelot wheel.
What BPM is Front to Back?
Front to Back runs at 175 BPM.
What mixes well with Front to Back?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Front to Back good for peak time?
With energy 92 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 175 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
![Niton [The Reason] - Sigma Remix by Eric Prydz cover art](https://i.scdn.co/image/ab67616d00001e029bb2044de55f70cf88276024){kind=small}
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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