Changing - Radio Edit
30s preview
- BPM
- 171
- Half-time
- 86
- Open Key
- 3d
- Energy
- 86/100
- Pop
- 0/100
- Length
- 3:11
- Released
- 2014
- Album
- Changing
- Genre
- Drum N Bass
- Loudness
- -2.3 dB
- Dynamics
- 10.1 dB
- ISRC
- GBSXS1400130
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Changing - Goldsmyth Editionversion9A · 174
- Changing - Klingande Remixremix10B · 126
- Changing - Sigma's VIP Remix ft. Stylo Gremix10B · 88
- Changing - Extended Mixversion10B · 83
- Changing - Majestic Remixremix10B · 120
- Changingoriginal10B · 171
Against the original (10B at 171 BPM), this version holds the same tempo in the same key.
Changing - Radio Edit is a drum n bass track in D major (10B) at 171 BPM. The feel is punchy, neutral in mood. It is vocal-led. The master is loud and heavily compressed. A 2014 production that still circulates in sets. More underground than 99% of Sigma's catalogue. For programming, treat it as an opener or closing-set piece.
- Low end:
- more treble-tilted than 80% of Sigma's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Changing - Radio Edit in?
Changing - Radio Edit by Sigma is in D major, or 10B on the Camelot wheel.
What BPM is Changing - Radio Edit?
Changing - Radio Edit runs at 171 BPM.
What mixes well with Changing - Radio Edit?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Changing - Radio Edit good for peak time?
With energy 86 out of 100 at 171 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 171 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 161-181 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 171 — beatmatch without a big tempo pull.
More drum n bass
More from Sigma
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 171 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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